Featuring Paul Anthony Smith.
Paul Anthony Smith (b. Jamaica, 1988; lives and works in New York, NY) creates paintings and picotage on pigment prints that explore the artist’s autobiography, as well as issues of identity within the African diaspora. Referencing both W.E.B. Du Bois’ concept of double consciousness and Franz Fanon’s theory of diasporic cultural confusions caused by colonialism, Smith alludes to fences, borders, and barriers to conceal and alter his subjects and landscapes. Smith’s practice celebrates the rich and complex histories of the post-colonial Caribbean and its people. Memory, migration and home are central to Smith’s work, which probes questions of hybrid identities between worlds old and new. Smith’s layered picotage is often patterned in the style of Caribbean breeze block fences and modernist architectural elements that function as veils, meant both to obscure and to protect Smith’s subjects from external gaze. While photography typically functions as a way in which to reveal and share information, Smith’s picotage has a concealing and purposefully perplexing effect. Forcing these nuanced diasporic histories into a singular picture plane, Smith encourages layers of unease within these outwardly jovial portraits. Picotage serves as an access point as Smith interrogates which elements of identity are allowed to pass through the complexities of borders and migration.
About the Program
Nationally and internationally acclaimed visual artists and art collectives visit our campus to present lectures about their work and professional practices. Visiting artists and designers have a chance to meet with the students and larger Rutgers University–Camden community to continue the dialogue about perspectives on contemporary art. The main theme of our FALL 2023 lecture series is Constructed Landscapes.
Date & Time
November 30, 2023
12:45 pm-1:45 pm
Location
Fine Arts Complex
FA 110
314 Linden Street
Camden, NJ